San Babila, 2. 0 Uhr: Ein sinnloses Verbrechen (1. I only learnt of this one fairly recently but became especially interested in watching it after reading a review, which made it sound quite intriguing. Foolishly, I did not bother to compare the running- time so I did not immediately realize that the version I acquired soon after was trimmed. That said, I was not enthused by the film as much as I had expected: for the record, it is the fourth effort by director Lizzani I have watched (about which I am 5.
San Babila Ore 20 Un Delitto Inutile regia di Carlo Lizzani con Daniele Asti, Brigitte Skay, Giuliano Cesareo, Pietro Brambilla, Pietro Giannuso, Grazia Baccari, Gilberto Squizzato, Rodolfo Dal Pra, Paola Faloja. San Babila ore 20: un delitto inutile italia film streaming, San Babila ore 20: un delitto inutile film italia streaming, San Babila ore 20: un delitto inutile film completo. San Babila ore 20: un delitto inutile (1976). Watch Video San Babila ore 20: un delitto inutile
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I still have some 1. I almost got to meet him personally at the Viareggio Film Festival, which I was all ready to go in lieu of a friend and local personality appointed to cover the event and who had bowed out for personal reasons! Anyway, to get back to the film: it deals with a quartet of neo- Fascists at large in the country's industrial capital, Milan, their activities mostly centered around the titular square. What we get is uncomfortable viewing, not just for their outbursts of hedonism and terrorism but also for the apparent leniency (virtually equating to compliance!) with which the authorities handle them – though I do not buy Lizzani's suggestion that, because one of their number is a Police informer and some may be the off- springs of leading citizens (in fact, we first see them attending the funeral of a !
So, the quartet spend the night chasing the couple in the hope of getting them to some secluded place and, when they do, viciously, repeatedly and pointlessly (hence, the film's sub- title AN UNNECESSARY MURDER) knife them to death. In keeping with this idealized scenario (though, to be fair to the film- makers, such an apparently motiveless incident did indeed occur at San Babila and which inspired this in the first place), ever the weakling, the impotent boy goes home to literally spill his guts out before his long- suffering mother (whom he had constantly badmouthed in the presence of his friends as a sign of independence) – with her unnatural doting suddenly hinting at the onset of an incestuous relationship!
While the picture is undeniably raw (a semi- documentary feel and being mainly peopled by unknowns certainly helped in this regard) and strongly- felt (as were a good many efforts to emerge during this particularly tumultuous era in Italian history), I must say that I was not especially involved in the plight of any of the characters: be it the kids (who are practically interchangeable and never truly convince when it is required of them to spout their political beliefs!), their parents or their victims (despite taking care to introduce them half- way through so as to drive home the message that they are decent, hard- working folk!). By the way, it is odd that a scene depicting the neo- Fascists disrupting traffic by breaking into an impromptu march emulating the infamous Nazi goose- step should be cut from this version of the film when another in which the boys are shown parading fake penises bought from a local sex shop in the light of day (an intimation, perhaps, of their youthfulness, that is, being impetuously prone to 'shocking' pranks.
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